Gallery - Hugh Gallery

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AboutMy latest pieces continue to be dominated by intaglio and the role it plays in my search for the illusive purity of the two dimensional plane. Clearly at the moment I continue to be fascinated with the Australian landscape complete with its mysterious and seemingly endless vistas. In an attempt to capture this mood I have reduced my palette and used my press to enhance the images with embossed and reworked surfaces. I encourage you to visually wander through my works and discover new and unexplored territory as light creates different forms and nuances of colour from the undulations of the embossing. I ask you to let the work ‘flow over you’ and take from it what you may. Don’t become too analytical. Just realise that I enjoy playing with colour, tone, surface and atmosphere. Nowadays the majority of my works are unique and not editions.
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Arkoola 120x180

Australian Bright 140x140

Big Rock 123x93

Delightful 100x200

Following 200x200

June (Diptych) 90x160

Mer Vert 123x200

Red Hill 125x190

Setting Sun 110x123

Shoreham Shallows 140x140

Spectacular 123x200

White Line 180x120

Yachting - SOLD

The artist at work...

Hugh Gallery

41 Cook Street, Flinders. Vic 3929
Open:

Friday 10 – 4pm
Saturday 10 – 4pm
Sunday 10 – 4pm
Monday 10 – 4pm

by appointment all other times.

Hugh – 0417 800 554 Kate – 0432 777 936
Email – hugh@hughgallery.com.au. Email – kate@hughgallery.com.au

© Copyright - Hugh Gallery

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Home
Gallery
Video
AboutMy latest pieces continue to be dominated by intaglio and the role it plays in my search for the illusive purity of the two dimensional plane. Clearly at the moment I continue to be fascinated with the Australian landscape complete with its mysterious and seemingly endless vistas. In an attempt to capture this mood I have reduced my palette and used my press to enhance the images with embossed and reworked surfaces. I encourage you to visually wander through my works and discover new and unexplored territory as light creates different forms and nuances of colour from the undulations of the embossing. I ask you to let the work ‘flow over you’ and take from it what you may. Don’t become too analytical. Just realise that I enjoy playing with colour, tone, surface and atmosphere. Nowadays the majority of my works are unique and not editions.
Contact